翻訳と辞書
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・ The Towers at Channelside
・ The Towers of Avarice
・ The Towers of Bois-Maury
・ The Towers of Hackney
・ The Towers of Silence
・ The Towers of Toron
・ The Towers of Trebizond
・ The Towers School
・ The Towing Path
・ The Town
・ The Town (1945 film)
・ The Town (2010 film)
・ The Town (2012 TV series)
・ The Town (Faulkner novel)
・ The Town (newspaper)
The Town (Richter novel)
・ The Town Above
・ The Town and the City
・ The Town and the City (album)
・ The Town Farm
・ The Town Hall (New York City)
・ The Town Hall at Auvers
・ The Town House
・ The Town House (Los Angeles)
・ The Town I Loved So Well
・ The Town Is Quiet
・ The Town Mouse and the Country Mouse
・ The Town of Crooked Ways
・ The Town of Nazareth
・ The Town of No Return


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The Town (Richter novel) : ウィキペディア英語版
The Town (Richter novel)

:''For the novel of the same name by William Faulkner, see The Town (Faulkner).''
:''For the film of the same name and different source see The Town (2010 film).''
''The Town'' (1950) is a novel written by American author Conrad Richter. It is the third installment of his trilogy The Awakening Land. ''The Trees'' (1940) and ''The Fields'' (1946) were the earlier portions of the series. ''The Town'' was awarded the Pulitzer Prize for Fiction in 1951.
In September 1966, his publisher Alfred A. Knopf reissued the trilogy for the first time as a single hardcover volume. According to the edition notice of this all-in-one version—which lists the original publication dates of the three books -- ''The Town'' was first published on 24 April 1950.
==Plot==
''The Town,'' the third novel in Conrad Richter’s ''Awakening Land'' trilogy, continues the story of frontier woman Sayward (née Luckett) Wheeler and her family. At 280 pages, the book is considerably longer than the other books of the trilogy. The focus of this final book is on the dramatic changes to the town and region with rapid development and industrialization. The theme is dealing with change. Sayward lives through the development of her Ohio Valley settlement into a thriving town, with a variety of businesses and industry. She becomes wealthy by pioneer standards by selling off parcels of her own land to newcomers.
The town changes its name from Moonshine Church to Americus in a successful quest to be named the county seat. The town government constructs civic improvements such as a new bridge and canal. Sayward’s husband, Portius Wheeler, convinces her to give up their old log cabin and move into a fine new brick mansion house he builds in the downtown section of Americus. He believes this is in keeping with his position as the town's attorney. Sayward eventually gets used to the luxury of her new home, but also feels a sense of loss for her former frontier way of life.
Sayward is reunited with two long-lost members of her family, who were introduced in the earlier books of the trilogy. Her father Worth Luckett had abandoned the family to live a hunter’s life after his favorite child Sulie was lost in the forest. After an absence of many years, he returns to Americus and tries to re-establish relationships with his grown children. On his deathbed, Worth confides that he found their sister Sulie alive; she had become fully assimilated as a Lenape (Delaware Indian) and married a Lenape man. Sayward and her remaining sister Genny travel to the Indiana town where Sulie resides and try to reconnect with her. Sulie claims not to know them as she is now part of the tribe and does not want to leave. Her sisters conclude Sulie is lost to them.
Sayward also deals with the problems of one or another of her nine surviving children. Her youngest son Chancey causes her the most worry. He is a quiet, sensitive youngster with frequent health problems. He often retreats into daydreams of belonging to another family who will understand him better.
As Chancey grows older, he feels an increasing sense of separation from his family, and often clashes with his mother over their differing views on work and progress. He becomes close friends with Rosa Tench, a girl from the poor side of town in whom he senses a kindred spirit. Their families finally tell him that Rosa is the result of Portius Wheeler's extramarital affair with the local school mistress, meaning that Rosa and Chancey are half-brother and sister. They are forbidden to see each other and are threatened with the law, but they continue to meet in secret.
Finally, Chancey tells Rosa he can’t see her anymore. At the town fair, Rosa tries to force a confrontation with him, cutting loose their hot air balloon. Chancey deflates the balloon and returns them safely. When Rosa realizes that Chancey will never defy his family and take her away from Americus, she commits suicide with the same knife used to cut the balloon's tether. 〔Richter, Conrad. ''The Awakening Land'' (1966), Chapters 28, 29 of ''The Town'', pp. 571 - 577.〕 (This plot-line was not in the 1978 TV mini-series of the same name, where the pair were separated as children, not young adults.)
After Rosa’s death, Chancey becomes embittered toward his family and moves out to a boarding house in town. He then moves on to the larger river port city of Cincinnati, where he becomes a journalist. He works as an editor of a newspaper, writing articles from a socialist point of view that criticize industrial progress and some prominent people in the state, especially members of his family. He returns to see his family only when necessary.
Chancey returns in 1861 on the eve of the American Civil War (although the year is not given, the book refers to Union troops answering the call of their “backwoods president,” meaning Abraham Lincoln). He has come for his mother's last days. After being supported for years by anonymous contributions, his newspaper has failed and been sold off at auction after the contributions stopped. He hopes that he may inherit some money from Sayward’s estate to enable him to start over.
At home, Chancey learns that his mother had been the anonymous contributor who financed his paper all those years. He had often criticized her in print, and she did not agree with his published views. He also learns that she has saved clippings of all of the poems, articles, and editorials he has written. Chancey realizes that he may have been wrong about his mother, and therefore wrong about many of his other conclusions. He recognizes that he will have to “ponder his own questions and travel his way alone.”

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